Kinetoscat: You have set a scheduling system according to film projects that are not based on major

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The director of humming, Stephen Bernatas, takes stock of two months living room December 4, 2013 6:30 by: Ana Martinez Medina Category: NEWS, INTERVIEWS, LATEST NEWS Leave a comment taylor wessing portrait prize 2011 A + / A-
The independent movie theater humming-Film opened its doors on October 4. A space that promotes taylor wessing portrait prize 2011 the social aspect back to the cinema and a programming system that keeps for weeks in screening films that have little or no life outside of commercial circuits. Today we wanted to celebrate two months living room of this Barcelona with an interview with its director, taylor wessing portrait prize 2011 Stephen Bernatas, whom we met on Monday to assess the situation and discuss the film, and especially the author in our country.
Stephen Bernatas: Well ... The project is a proof, of the fact that there are many independent cinemas and risky to trust and which you do identify taylor wessing portrait prize 2011 with their editorial programming. That was the beginning, the first impulse taylor wessing portrait prize 2011 was that you could fill a sort of void itself emerged these areas, but now there are not many rooms of this type. The proof of this fact is the origin of humming. Then you turn around ... There are moments in life where you want change, and I started looking for a place and prepare everything from funding to hire an architect, etc. Also I did a workshop five years ago to CICAE (cinémas Confédération Internationale des Art et Essai of), I heard a lot of people there that have cinemas around the world, and helped me see a different kind of rooms possible.
Kinetoscat: Speaking of rooms with en editoral programming ... You opted for films that are difficult to usual commercial distribution circuits ... How to manage your schedule?
Stephen Bernatas Now we are starting and not so much to decide ... A film needs a qualification to be distributed and the rating is valid for each country and therefore depend on distributors, who decide to bring productions and if you contact or not. Rather we who seek distributors to know that we would schedule of his films ... a. There is a reality taylor wessing portrait prize 2011 that the offer, which offer us today, and we are noticing that it's complicated, because many small and medium-sized distributors are perhaps the most interest to us because we are warning that they might never be able to continue in in 2014. On the other hand we want to provide a window into a movie and sometimes difficult to see independent taylor wessing portrait prize 2011 films reach you, a young author, and are learning to manage taylor wessing portrait prize 2011 it ... We get many documentaries of people who want to get their film, but if you can not make media, press, filling taylor wessing portrait prize 2011 the room? We look at it all with "Honey", especially taylor wessing portrait prize 2011 Catalan productions that come to us, but anyone in the room can and can not accept everything. We are very grateful that the doors but we put a level, the film brings something, debate, etc. Although it is difficult to assess because it is very subjective ... We are now reaching and discovering all that.
Kinetoscat: You have set a scheduling system according to film projects that are not based on major releases taylor wessing portrait prize 2011 with many projections but try to extend the maximum period of time that the films remain in your listings.
Stephen Bernatas: How to have a small room with a single window that