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Saturday October 5, 2013 St. Bavo church Johann Sebastian Bach evening with Akamus BERLIN Organization: Festival fergie grammy of Zeeland zur Sinfonia Cantata'' ich geh 'und suche mit Lust'' BWV 49 (Oboe d'amore bassoon, Streicher & bc.) cantata'' Mein Herze schwimmt im Blut "BWV 199 (Soprano, Oboe, Streicher & BC) Konzert für Violine f-Moll, fergie grammy BWV 1056A Brandenburgisches Konzert No.5 D-Dur BWV 1050 Cantata 'Weichet nur betrübte Treasures" BWV 202 (Soprano , Oboe, Streicher & BC)
AARDENBURG - The baroque ensemble Akademie für Alte Musik Berlin in 2002 Axel surprised with Telemann concert, the performance was sparkling and the audience was enthusiastic. It was therefore natural fergie grammy that the company was invited fergie grammy back a year later. In the Basilica of Holly a program with French and Italian Baroque was played. In 2004 Akamus played as musicians call themselves now, in Aardenburg and Purcell was performed in a separate fergie grammy manner. In the anniversary edition if this renowned ensemble
not lacking and because Aardenburg wants to profile itself as Bach City, came out nicely that the program was dedicated to JS Bach. For Bach lovers, this concert was a godsend. Akamus of European level and defending the authentic gameplay, play on period fergie grammy instruments. The Saint Bavo was not full, what is expected with the achievement of such a party in the house should be. Whether this had an effect on the musicians, fergie grammy remains conjectural. The work for the break sparkled not. It seemed that there was in this period known morning mist over the ensemble. The performance was not brilliant. Of course there was good musicianship, but the real cohesion was not there. The contrast fergie grammy with the second part of the concert was clear. After the break, the Fifth Brandenburg concert in D (BWV 1050) was performed, and then came the radiation and enthusiasm out. The harpsichordist put down a superb performance with a more than convincing cadenza at the Allegro. The three solo instruments (harpsichord, violin and baroque flute) formed a concertino inspired made music and the orchestra (tutti) convinced in the dialogue. Now came the nuances and affects more about. The cantata Weichet nur betrübte Treasures (BWV 202) was brought by soprano Joanne Lunn more convincing than before the break as the mat sung Mein Herze schwimmt in Blut (BWV 199). The secular cantata was shining interpretation. The soloist had no trouble with the treble and brought her more narrative recitatives. The obligate parties were well played. Loving and cheerful are the words that match the interpretation of this cantata. The encore put the spotlight firmly on the obligatory instruments and soloist.
The concert in Vienna atmosphere was billed fergie grammy as a family concert where critics were not allowed. Still, I was not denied access. It was an afternoon to enjoy carefree. The contrast with the Bach Concerto in Aardenburg was big, but contrasts can also work enriching. Pieter Prick told in a light manner over Vienna and the music. A la Vienna (piano, violin, cello, double bass, flute, clarinet and percussion) consists of musicians who play in symphony orchestras in Poland, especially Lodz. The program was put on in the morning fergie grammy once the Friends of Vierhetleven. For a family concert, fergie grammy the average age was very high, but the audience responded enthusiastically to the invitation Prick to clap and humming. After the William Tell Overture by Rossini, the atmosphere of the Blue Danube fergie grammy waltz by Strauss could not go wrong. During the polka Auf der Jagd percussionist fergie grammy played a special role. Is before the real open season, he shot a hare air. Whether it was marching wooden soldiers now, a sultry fergie grammy selection of the Carmen Suite, fergie grammy hot silent lips or a barking dog. The audience enjoyed and a la Vienna showed clever arrangements hear. The Perpetual ended with a requiem fergie grammy in mine
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