Then, suddenly, came the losses. Jep makes new deal with real life. All the beauty that seemed to b

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Directed by Sorrentino ("The latin grammy awards 2011 Family Friend", "Il Divo", "This must be the place"), is unmistakable, latin grammy awards 2011 has his own way to observe and tell the gestures and movements of the characters from fixed points, as perceived by an observer side (remember the rotation latin grammy awards 2011 of the beam of a lighthouse), and then there are steps and combinations sudden, the presses and removals to enlarge latin grammy awards 2011 the view of the landscape.
The great beauty is not a film about Rome, but Rome got to do a lot, because there's gaze Rome about things, about life, but also the ability to look the other way. Rome is not the world, but a world, a representation of life on earth, a set is always open, scene forever becoming.
The style and casual elegance of Jep Gambardella - formerly successful writer (author of the bestseller "The human apparatus") and sailed journalist who writes for a magazine of success, but above all an esthete and undisputed guru of the Roman night revelers - screeching strongly tired with the frivolity, the desperate search for originality founded on the image, strong colors, the shock or on the stage presence of his friends, a circus of characters who stand out for strangeness or arrogance, stupidity or cynicism to, or more simply for disliking.
Jep's humanity comes out, however, in certain dialogues with people outside the circus of worldliness, and even when he decides to tread the recitation material latin grammy awards 2011 up to the point of no longer being able to hold (the funeral scene), leaving room for his disruptive sensitivity - the ability to feel life, to listen to himself - which puts him beyond (but not above) of his traveling companions. Its light but deep gaze on things tells us much more about him that the intermittent bursts of humor, sometimes subtle and aloof, sometimes fierce up all'impietoso unveiling of the misery of others (the response to the writer of the party, arrogant woman who exhibits trophies as his civil commitment "as a woman and mother" and its role in society and family, who are just fiction, a representation latin grammy awards 2011 of a world that exists only in the image of himself).
The beauty is, it appears, flying over the roofs, is a flight of migratory birds marked by a wonderful terrace Roman (home of Jep) after the breath of the Holy, is the wake of the aircraft on the Capitoline bright skies. latin grammy awards 2011 Beauty is not the Capitoline nights of debauchery, a worldliness that seems to survive rather than live.
Jep admires his opposite: those who live a simple life, made of delicate scents and intoxicating life of those who go to bed early after a long day of work ("beautiful people that you are!" He says, smiling with sincerity to the woman's husband he loved as a young man and his new partner).
Jep want to get together and to finally write his "novel about nothing," as Flaubert had confessed. Every detail, every scene, every character in the film seem to want to communicate this aspiration and at the same time this inability to achieve or at least approach the Big Beauty, truth and depth of human feeling. Prevail, however, fear and oblivion, the darkening of every form of love towards things: it seems there is no freedom in the obsessive repetition of the mundane rituals.
Yet something is gathered, in the cool morning walks Jep, sudden racing of the nuns who suddenly burst into the scene, around a cloister or under a porch, and then disappear into thin air.
Then, suddenly, came the losses. Jep makes new deal with real life. All the beauty that seemed to be able to get there - or come back from the past - albeit belatedly (Jep: "I feel old" - Ramona 'young' n you are "), the depth of love and friendship, he immediately denied, for human choice (the escape of the Roman Empire from Rome disappointing) or fate (death of Ramona, but also the diary of his youthful love, thrown latin grammy awards 2011 away). These sudden latin grammy awards 2011 flashes of truth and authentic beauty, however, have now reported at Ithaca, to his youth, lost love, or not known until the end, and will cause it to try again.
Jep no longer wants to be King of the Roman high society, a makeshift, an admission of his human failure, the abandonment of any dream of beauty ("Beauty and the Great tried I could not find" answers the question of Sister Anna, the Santa, latin grammy awards 2011 asking why he had not written more) and any desire for spirituality.
For thirty years Jep was satisfied despite the uplifting "power to derail a party," has resigned to sit on his throne as King of jesters, he enjoyed his stay inside the world standoci sitting on it, but his will domain of the vacuum latin grammy awards 2011 is not