Anti-existentialist temptation of Hornby - Film Review | logic
"Is a ritual of words could patch up the destruction?" RSS Follow me on Twitter Home hat opposite the site and me What is this? Minifst - served Generation bit Qudus - of the things I Terms of Use Contact
What drew me to pay twice the Jerusalem Cinematheque on Friday and watch a movie An Education (translated from Hebrew under the name appalling "An Education" ) was mainly mtv ema s 2011 one name: Nick Hornby. Hornby, a British writer who is not a stranger to the movies mtv ema s 2011 (three of his books - Fever Pitch, High Fidelity and About A Boy - processed in the film version. The three of them, by the way, better print), is my favorite writers long time: it has the ability to write ironic and witty and also a statement extract the most banal scenes. In some of his books he walked a thin ice above fall into kitsch, which is precisely this irony saves the story of falling and makes it enjoyable to read. [1]
Hornby responsible for the film's screenplay, written according to the autobiography of British journalist Lynn Barber (Sunday Times). Barber's sharp tongue - winner of five British Press Awards, mtv ema s 2011 particularly its ability to interview - with uncompromising irony Hornby looked to me like a recipe I can not lose.
And it's true. An Education is a well-written film, full of witty conversations, lively and elegant. Denmark's directorial failure Srafig is good, even if slightly inclined towards the banal. The game - especially Carrie mtv ema s 2011 Mulligan (have you seen her Pride and Prejudice "in 2005 as Kitty Bennet, and in Dr. Who, Season 3 Episode 10 as Sally Sparrow) in the title role - exhilarating. These are all good reasons enough to go see a movie; If you accept my mind and personal reasons, mtv ema s 2011 but that does not add up things.
The plot, which takes place in the early '60s, presents Jenny Miller, a high school student from one of the suburbs in London mtv ema s 2011 in her last year, is trying to get high enough GPA to be accepted to the University of Oxford, a goal that her father, Jack, pushing it aggressively. Has been High Fidelity "Hornby expresses deep contempt for life in the suburbs of London mtv ema s 2011 - is ridiculous describes mtv ema s 2011 how each of these suburbs are the same, and all their families, middle class, similar and boring. Again not spared this review: Jack Miller is often presented as pitiful and ridiculous, a man who has retreated into his comfort and makes for her uncomfortable. Mother, Marjorie, mostly silent, but this lifestyle frustration, and boredom she felt, stand out well.
Jenny meets one day event toe with David Goldman [2], much older than her. David opens up a new world full of all the things she loves: he takes her to concerts, fancy dinners and the like. Jenny is torn between her studies and Oxford waiting in the background and David offers mtv ema s 2011 her life.
Indeed, horribly banal plot. Hornby could not resist, and even where this criticism Jenny's mouth, toward the end of the film throws her father "young girls fall in love with older men all the time." But no matter how banal, perversion (one of many in the film) represents one of these relationships remains a fascinating when she was, since "Lolita" to the present. Description of this relationship may well, and manages to escape from the mold quite impressively banal - although, of course, the frame story remains.
Characters and dialogues are lifeguards on the movie banality redundant, making it another tearful romantic drama film a profound statement on British society, and perhaps even more than that. To me, this movie is called anti-existentialist Manifesto, first-class audit of our community, and the next rows will try to explain why. Note - The analysis may contain spoilers, though I will try to avoid them. If you're going to watch a movie (and you should), you might finish the call now, and you will return here later.
David Goldman is perfect Hakzisttznielisti seductive. Is compelling, at times, even the truth of his intentions viewers. Despite the many gaps between him and Jenny - years, religious affiliation and status - he pulls her to him easily and quickly, shows her world it is dreamed and encourages mtv ema s 2011 her - implicitly, as tempting good - Find, paraphrase Kierkegaard, the same truth be true for her , abandon the dictates of conventional society and environment and the right in the world. He presents mtv ema s 2011 the authentic mtv ema s 2011 existence - in his case, and it has been the most existentialist possible existence of an art lover and refined mtv ema s 2011 - as an extra over the Puritan morality, almost Kantian, of the adults in her world, morality into which she was raised. No one reminded me of his methods throughout the film the same Kierkegaard's romantic seductive book "Diary mtv ema s 2011 of a tempting". Jenny's parents also fall charms.
Jenny, for its part, easily tempted, call Dror alone and finds herself mtv ema s 2011 the same truth. It becomes, towards the middle and end of the film, her own existential torchbearer. What David suggests, she says loud and clear. Arguments are that squeezes the adults around her - her teacher, school principal, her parents, her friends, all of them are left without answers to her claims arranged against the order of the world they captured him. Are harmed by it, but look no relation to reality. For example, [spoiler] while Jenny systematic doctrine against social paving and boredom mtv ema s 2011 that comes with it, is busy in her school principal invested in her virtue of Jenny, occupation anachronistic. When she hears about a significant mtv ema s 2011 development in the relationship, it is all about David Jew. "You know they killed mtv ema s 2011 Jesus?" She asks triumphantly (leading, incidentally, one of the film witty dialogues) [/ spoiler]. mtv ema s 2011
David is the perfect esthete, who lives for the pleasures of the moment mtv ema s 2011 and looking for immediate pleasure wherever he goes. When Jenny begins to bear against boredom manifests excited and talking about it and the color in her life since she met him, she clearly mtv ema s 2011 represents a position Akzistnzi
"Is a ritual of words could patch up the destruction?" RSS Follow me on Twitter Home hat opposite the site and me What is this? Minifst - served Generation bit Qudus - of the things I Terms of Use Contact
What drew me to pay twice the Jerusalem Cinematheque on Friday and watch a movie An Education (translated from Hebrew under the name appalling "An Education" ) was mainly mtv ema s 2011 one name: Nick Hornby. Hornby, a British writer who is not a stranger to the movies mtv ema s 2011 (three of his books - Fever Pitch, High Fidelity and About A Boy - processed in the film version. The three of them, by the way, better print), is my favorite writers long time: it has the ability to write ironic and witty and also a statement extract the most banal scenes. In some of his books he walked a thin ice above fall into kitsch, which is precisely this irony saves the story of falling and makes it enjoyable to read. [1]
Hornby responsible for the film's screenplay, written according to the autobiography of British journalist Lynn Barber (Sunday Times). Barber's sharp tongue - winner of five British Press Awards, mtv ema s 2011 particularly its ability to interview - with uncompromising irony Hornby looked to me like a recipe I can not lose.
And it's true. An Education is a well-written film, full of witty conversations, lively and elegant. Denmark's directorial failure Srafig is good, even if slightly inclined towards the banal. The game - especially Carrie mtv ema s 2011 Mulligan (have you seen her Pride and Prejudice "in 2005 as Kitty Bennet, and in Dr. Who, Season 3 Episode 10 as Sally Sparrow) in the title role - exhilarating. These are all good reasons enough to go see a movie; If you accept my mind and personal reasons, mtv ema s 2011 but that does not add up things.
The plot, which takes place in the early '60s, presents Jenny Miller, a high school student from one of the suburbs in London mtv ema s 2011 in her last year, is trying to get high enough GPA to be accepted to the University of Oxford, a goal that her father, Jack, pushing it aggressively. Has been High Fidelity "Hornby expresses deep contempt for life in the suburbs of London mtv ema s 2011 - is ridiculous describes mtv ema s 2011 how each of these suburbs are the same, and all their families, middle class, similar and boring. Again not spared this review: Jack Miller is often presented as pitiful and ridiculous, a man who has retreated into his comfort and makes for her uncomfortable. Mother, Marjorie, mostly silent, but this lifestyle frustration, and boredom she felt, stand out well.
Jenny meets one day event toe with David Goldman [2], much older than her. David opens up a new world full of all the things she loves: he takes her to concerts, fancy dinners and the like. Jenny is torn between her studies and Oxford waiting in the background and David offers mtv ema s 2011 her life.
Indeed, horribly banal plot. Hornby could not resist, and even where this criticism Jenny's mouth, toward the end of the film throws her father "young girls fall in love with older men all the time." But no matter how banal, perversion (one of many in the film) represents one of these relationships remains a fascinating when she was, since "Lolita" to the present. Description of this relationship may well, and manages to escape from the mold quite impressively banal - although, of course, the frame story remains.
Characters and dialogues are lifeguards on the movie banality redundant, making it another tearful romantic drama film a profound statement on British society, and perhaps even more than that. To me, this movie is called anti-existentialist Manifesto, first-class audit of our community, and the next rows will try to explain why. Note - The analysis may contain spoilers, though I will try to avoid them. If you're going to watch a movie (and you should), you might finish the call now, and you will return here later.
David Goldman is perfect Hakzisttznielisti seductive. Is compelling, at times, even the truth of his intentions viewers. Despite the many gaps between him and Jenny - years, religious affiliation and status - he pulls her to him easily and quickly, shows her world it is dreamed and encourages mtv ema s 2011 her - implicitly, as tempting good - Find, paraphrase Kierkegaard, the same truth be true for her , abandon the dictates of conventional society and environment and the right in the world. He presents mtv ema s 2011 the authentic mtv ema s 2011 existence - in his case, and it has been the most existentialist possible existence of an art lover and refined mtv ema s 2011 - as an extra over the Puritan morality, almost Kantian, of the adults in her world, morality into which she was raised. No one reminded me of his methods throughout the film the same Kierkegaard's romantic seductive book "Diary mtv ema s 2011 of a tempting". Jenny's parents also fall charms.
Jenny, for its part, easily tempted, call Dror alone and finds herself mtv ema s 2011 the same truth. It becomes, towards the middle and end of the film, her own existential torchbearer. What David suggests, she says loud and clear. Arguments are that squeezes the adults around her - her teacher, school principal, her parents, her friends, all of them are left without answers to her claims arranged against the order of the world they captured him. Are harmed by it, but look no relation to reality. For example, [spoiler] while Jenny systematic doctrine against social paving and boredom mtv ema s 2011 that comes with it, is busy in her school principal invested in her virtue of Jenny, occupation anachronistic. When she hears about a significant mtv ema s 2011 development in the relationship, it is all about David Jew. "You know they killed mtv ema s 2011 Jesus?" She asks triumphantly (leading, incidentally, one of the film witty dialogues) [/ spoiler]. mtv ema s 2011
David is the perfect esthete, who lives for the pleasures of the moment mtv ema s 2011 and looking for immediate pleasure wherever he goes. When Jenny begins to bear against boredom manifests excited and talking about it and the color in her life since she met him, she clearly mtv ema s 2011 represents a position Akzistnzi
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