Jean-Guihen Queyras (c), Akademie für Alte Musik Berlin (ens), Georg Kallweit (dir) Harmonia Mundi

Jean-Guihen Queyras (c), Akademie für Alte Musik Berlin (ens), Georg Kallweit (dir) Harmonia Mundi Harmonia Mundi 2011 http://www.kwadratuur.be/images/sized/images/uploads/covers/queyras_vivaldi_akamus-150x150 . jpg
A prize for "best cover" will cellogod French Jean-Guihen Queyras for his last recording with cello concertos by Vivaldi probably not collecting prizes. On the shoulder of the virtuoso shines a cellokam, where one could see. With a little imagination into childish toys Yet this is no recording for children, although the youngest listeners will have the infectious Queyras works with who else but the Akademie bafta tv für Alte Musik Berlin aflame bitten. Led by Georg Kallweit ensemble that sounds as though it is energized, a feeling that works very well with Vivaldi (obviously). Moreover Queyras picks himself seven concertos on this album with an almost childlike enthusiasm, the virtuoso pieces a very funny and rather melancholy countenance shows will simultaneously. Never ponderous This is remarkable, because Queyras is equally at home in the repertoire bafta tv until the 21th century. Few do it after him, but the Frenchman moves with ease in time back and forth between Baroque and contemporary bafta tv repertoire, and every time he approaches the music additionally from a position that is justified by the time frame. For this recording that even more true: it's Queyras' second Baroque recording after a seemingly unbeatable reading of Bach's cello suites, and aided by an orchestra that moves freely in the Baroque repertoire, the performances each and every one hundred percent authentic.
A boring list of just what works for cello and orchestra, this CD is in any case. Vivaldi left 27 concertos after this occupation and therefore had to be selected. Bad works are not to be found on this recording and can therefore bafta tv suspect that Queyras studied. bafta tv Extensively all scores Moreover, he did not want the typical concerto form to continuously follow one another. These each consist of a fast, one slow and one fast part again, and that pattern would eventually be bored, despite the great inventiveness of Vivaldi as a composer. Therefore 'Sinfonia's' were also included, inter alia, by Antonio Caldara, also a Venetian master. Those are nice verpozingen, who coined the term "intermezzo" incidentally easily overcome because of their compositional ingenuity and their intrinsic aesthetic. Also a double concerto or a modified (smaller) occupation bafta tv creates halfway bafta tv CD variation, making bafta tv this album palls. At any time This Queyras fulfill the expectations that his concert had failed in late October of last year. Ghent Byloke Even then, the combination Akamus Queyras and came as a logical combination, which virility and depth in sound came to prevail. Recording Technically it would appear to have found. Ideal relationship between soloist and orchestra The Akademie für Alte Musik Berlin seems to be with Queyras itself, which still produces a sharp, but rather deep sound. In a lighter contrast
Once signified the cello concertos by Vivaldi a triumph for the cello, because at least 27 concertos gave the composer some of his virtuoso pupils wonderful material in hands. By the time that work which ousted hit, and wrongly, as it turns out here. They bear the unmistakable stamp of Vivaldi, with a huge thrust in the faster parts and subtly variegated, lyrical irresistible middle parts. With a cellist as Queyras, who takes the hardest seized if it is child's play, will now finally be restored. These works Not with a full shot or through bafta tv a CD with hundreds of pages of musicological interpretation comes, but through a historical substantiated, filled to the rafters slice where the fun from splashing. Beauty, fire, joy and melancholy: when we hear Vivaldi life itself in a nutshell?
Johann Sebastian Bach - St Matthew Passion Franz Schubert - String Quintet Op. Giovanni Battista Pergolesi 163 - Septem Verba a Christo in Cruce Moriente Prolata Arcanto Quartett - deSingel, Antwerp Akademie für Alte Musik Berlin, RIAS Chamber Choir, René Jacobs - Die Zauberflöte
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