Sam Pulitzer-and the universe of signs. At Pasta Ceres | Artribune Skins ADV
NEWS ARCHIVE July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011
Artribune Artribune magazine Magazine # 20 Magazine bafta awards 2011 # 19 Magazine # 18 Artribune Artribune Magazine - Special 2014 Artribune Design Magazine # 17 Artribune Artribune Magazine # 16 Magazine # 15 Artribune Magazine Summer Special 2013 Artribune Artribune Magazine # 13 Magazine # 12
Future auctions architecture artists berlin Biennale di Venezia bafta awards 2011 Bologna Corriere della Sera design bookcrossing film festival Publishing Fair Florence Foundation photography gallery The Daily Newspaper bafta awards 2011 interview The Unit The Republic The London Free Press Macro Maxxi market milan fashion show music Naples Museum New York Paris Performance policy Sotheby's National Newspaper rome turin Venice Theatre
Sam Pulitzer-and the universe of signs. At Pasta Ceres Black and white, full and empty, contemporary and prehistoric is a game of opposites, the exhibition bafta awards 2011 Sam Pulitzer bafta awards 2011 in Rome until November bafta awards 2011 7. To understand "Untitled" must be activated both hemispheres of our brain, since the analytical approach coexists with a more brilliantly evocative.
The show is a synthesis of space, bafta awards 2011 time and light, which are silent witnesses to the Sun and the Moon that occur in the drawings presented as esoteric symbols flavor and able to leverage ancestral memories of man, but mixed with images read more , almost close to the world of childhood. Sam Pulitzer (1984, lives in New York) puts on paper and not in the metaphorical bafta awards 2011 sense, strict images, even disturbing at times, but wisely stopped for a moment before becoming heavy, playful insertion of reasons; and here come on the scene comics: the vast world of icons which the artist draws to disrupt the canonical way of painting and art of understanding the system. The drawing, Untitled, in which a band of four boys, each belonging to a suburban culture, bafta awards 2011 such as rap and punk, is about to lash out at the painter classically understood, is nothing if not a claim on the part of Street Art to be considered art in all respects.
In a process that proceeds bafta awards 2011 backwards we find the images of the U.S. (all computer-made) applied directly on the gallery wall (or rather, printed on adhesive film) that recall everything belonging to urban art scene of the seventies and eighties which, in turn, can be reduced, at least in the way of working, to graffiti primitive man. At this point, as in a circle that closes, Sam Pulitzer proposes bafta awards 2011 its image rock: a labyrinth consisting of a black line and continues to the loss that would result if it were not anchored, once again, to blacks and filled circles. And the circle is the common thread that binds the entire oeuvre: in fact, although not in this show are the plugs, ie a particular type of piercing ring-shaped often set by Pulitzer on the display wall, they are drawn on the wall. This time the circle is put in relation to the pentagon (once again an esoteric symbol); the strict geometry that opens to the soft lines of his dreamlike visions that create animals belonging to other universes.
To understand the work of Pulitzer, a synthesis between rational and fantastic, there is no need to follow a preferential channel and preset. His reading was not defined (and final), but only suggested and the investigation is still open.
Sam Pulitzer - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy bafta awards 2011 the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Frederick Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni photo Sam Pulitzer R
NEWS ARCHIVE July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011
Artribune Artribune magazine Magazine # 20 Magazine bafta awards 2011 # 19 Magazine # 18 Artribune Artribune Magazine - Special 2014 Artribune Design Magazine # 17 Artribune Artribune Magazine # 16 Magazine # 15 Artribune Magazine Summer Special 2013 Artribune Artribune Magazine # 13 Magazine # 12
Future auctions architecture artists berlin Biennale di Venezia bafta awards 2011 Bologna Corriere della Sera design bookcrossing film festival Publishing Fair Florence Foundation photography gallery The Daily Newspaper bafta awards 2011 interview The Unit The Republic The London Free Press Macro Maxxi market milan fashion show music Naples Museum New York Paris Performance policy Sotheby's National Newspaper rome turin Venice Theatre
Sam Pulitzer-and the universe of signs. At Pasta Ceres Black and white, full and empty, contemporary and prehistoric is a game of opposites, the exhibition bafta awards 2011 Sam Pulitzer bafta awards 2011 in Rome until November bafta awards 2011 7. To understand "Untitled" must be activated both hemispheres of our brain, since the analytical approach coexists with a more brilliantly evocative.
The show is a synthesis of space, bafta awards 2011 time and light, which are silent witnesses to the Sun and the Moon that occur in the drawings presented as esoteric symbols flavor and able to leverage ancestral memories of man, but mixed with images read more , almost close to the world of childhood. Sam Pulitzer (1984, lives in New York) puts on paper and not in the metaphorical bafta awards 2011 sense, strict images, even disturbing at times, but wisely stopped for a moment before becoming heavy, playful insertion of reasons; and here come on the scene comics: the vast world of icons which the artist draws to disrupt the canonical way of painting and art of understanding the system. The drawing, Untitled, in which a band of four boys, each belonging to a suburban culture, bafta awards 2011 such as rap and punk, is about to lash out at the painter classically understood, is nothing if not a claim on the part of Street Art to be considered art in all respects.
In a process that proceeds bafta awards 2011 backwards we find the images of the U.S. (all computer-made) applied directly on the gallery wall (or rather, printed on adhesive film) that recall everything belonging to urban art scene of the seventies and eighties which, in turn, can be reduced, at least in the way of working, to graffiti primitive man. At this point, as in a circle that closes, Sam Pulitzer proposes bafta awards 2011 its image rock: a labyrinth consisting of a black line and continues to the loss that would result if it were not anchored, once again, to blacks and filled circles. And the circle is the common thread that binds the entire oeuvre: in fact, although not in this show are the plugs, ie a particular type of piercing ring-shaped often set by Pulitzer on the display wall, they are drawn on the wall. This time the circle is put in relation to the pentagon (once again an esoteric symbol); the strict geometry that opens to the soft lines of his dreamlike visions that create animals belonging to other universes.
To understand the work of Pulitzer, a synthesis between rational and fantastic, there is no need to follow a preferential channel and preset. His reading was not defined (and final), but only suggested and the investigation is still open.
Sam Pulitzer - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy bafta awards 2011 the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Frederick Vavassori, Milan - Giorgio Benni Sam Pulitzer photo - Untitled - 2012 - courtesy the artist & Real Fine Arts, New York & Federico Vavassori, Milan - Giorgio Benni photo Sam Pulitzer R
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